Philippine history | NineteenKopongKopong

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Mindanao

Mindanao

Souvenir from the Philippine Exhibit at the World’s Fair in 1904…

Souvenir from the Philippine Exhibit at the World’s Fair in 1904…

Back when things were less complicated… this came out….

Back when things were less complicated… this came out….

A collection of Philippine Regional Carnival Medals

A collection of Philippine Regional Carnival Medals

Platinum Izumo Kaga Maki-e Series

- Hama No Matsu Hira Maki-e (PIZ-300000)
- Hama No Matsu Taka Mak-e (PIZ-500000)
- Takisansui Taka Maki-e (PIZ-600000)

Platinum Izumo Kaga Maki-e Series

- Hama No Matsu Hira Maki-e (PIZ-300000)
- Hama No Matsu Taka Mak-e (PIZ-500000)
- Takisansui Taka Maki-e (PIZ-600000)

Coming soon at the Leon Gallery

September 13, 2025

Coming soon at the Leon Gallery

September 13, 2025

Coming to Auction in Leon Gallery

Considered to be the biggest Hildago to go to market…

untitled “Venus and the Swan”

Coming to Auction in Leon Gallery

Considered to be the biggest Hildago to go to market…

untitled “Venus and the Swan”

Parker Centennial Duofold Kaga Maki-e
“Ichimatsu” (Checkered Pine)

Year: 2002 (Special Edition)
Artist: Tatuya Todo

#fountainpens #fountainpen #japanese #makie #tatuya #kagamakie #japanesefountainpens #japanesefountainoen #parkerfountainpen #pen

Parker Centennial Duofold Kaga Maki-e
“Ichimatsu” (Checkered Pine)

Year: 2002 (Special Edition)
Artist: Tatuya Todo

#fountainpens #fountainpen #japanese #makie #tatuya #kagamakie #japanesefountainpens #japanesefountainoen #parkerfountainpen #pen

Parker Vacumatic: A Study in the 1937 Single-Band Design

Here is my small collection of four Parker Vacumatic pens, each a prime example from the pivotal year of 1937. This quartet serves as a micro-historical study on how a specific design element would have a big impact on the value and collectibility of these vintage writing instruments.

The pens from@left to right:
* Senior Maxima in Burgundy Pearl: A flagship model from the Vacumatic line, known for its commanding size and rich, deep color.

* Senior Maxima in Golden Pearl: This example showcases the vibrant, luminous qualities of Parker’s Golden Pearl celluloid.

* Long Major in Burgundy Pearl: A distinct, slender variation on the classic Major, exemplifying the diversity within the 1937 product line.

* Major in Silver Pearl: The quintessential Vacumatic, representing the iconic design in a classic, shimmering finish.

All four of these pens share a unique and highly sought-after feature: the 1937 single-“Parker Vacumatic” band design. This specific band was in production for only one year, making pens from this period exceptionally rare. Its scarcity not only marks a precise moment in Parker’s manufacturing history but also acts as a key determinant of its current market value, elevating these pens to a premium status in the collector’s market. This single design element is a powerful example of how production history can dramatically influence an object’s contemporary significance and price.

A true confluence of art, history, and industrial design.

Parker Vacumatic: A Study in the 1937 Single-Band Design

Here is my small collection of four Parker Vacumatic pens, each a prime example from the pivotal year of 1937. This quartet serves as a micro-historical study on how a specific design element would have a big impact on the value and collectibility of these vintage writing instruments.

The pens from@left to right:
* Senior Maxima in Burgundy Pearl: A flagship model from the Vacumatic line, known for its commanding size and rich, deep color.

* Senior Maxima in Golden Pearl: This example showcases the vibrant, luminous qualities of Parker’s Golden Pearl celluloid.

* Long Major in Burgundy Pearl: A distinct, slender variation on the classic Major, exemplifying the diversity within the 1937 product line.

* Major in Silver Pearl: The quintessential Vacumatic, representing the iconic design in a classic, shimmering finish.

All four of these pens share a unique and highly sought-after feature: the 1937 single-“Parker Vacumatic” band design. This specific band was in production for only one year, making pens from this period exceptionally rare. Its scarcity not only marks a precise moment in Parker’s manufacturing history but also acts as a key determinant of its current market value, elevating these pens to a premium status in the collector’s market. This single design element is a powerful example of how production history can dramatically influence an object’s contemporary significance and price.

A true confluence of art, history, and industrial design.

some vintage and modern Maki-e pens….

some vintage and modern Maki-e pens….

these Pelikans coming out to play… 100, 100N, 100N, 100n and 101N

these Pelikans coming out to play… 100, 100N, 100N, 100n and 101N

My “three-of-a-kind” vintage Parker Duofold family…

Big Red (Single Band)
Big Red (Double Band)
Big Red (Experimental Band)

Mandarin Yellow (Single Band)
Mandarin Yellow (Double Band)
Mandarin Yellow (Experimentl Band)

Lapis Blue-on-Blue (single band)
Lapis White-on-Blue (double band)
Lapis White-on-Blue (experimental band)

Jade Green (Single Band)
Jade Green (Double Band)
Jade Green Duofold Special

My “three-of-a-kind” vintage Parker Duofold family…

Big Red (Single Band)
Big Red (Double Band)
Big Red (Experimental Band)

Mandarin Yellow (Single Band)
Mandarin Yellow (Double Band)
Mandarin Yellow (Experimentl Band)

Lapis Blue-on-Blue (single band)
Lapis White-on-Blue (double band)
Lapis White-on-Blue (experimental band)

Jade Green (Single Band)
Jade Green (Double Band)
Jade Green Duofold Special

“The 1938 Davao Carnival was more than just a celebration; it was a complex social and political event that showcased the American colonial effort in Mindanao. It served to entertain while also fostering assimilation, unification and promoting the colonial government’s vision for the Philippines.”

“The 1938 Davao Carnival was more than just a celebration; it was a complex social and political event that showcased the American colonial effort in Mindanao. It served to entertain while also fostering assimilation, unification and promoting the colonial government’s vision for the Philippines.”

Rizal Day 1920

Rizal Day 1920

The 1926 Jolo Carnival, a local version of the much larger and more famous Manila Carnival, holds a significant place in the history of the American colonial period in the Philippines. While it may not have attracted the same nationwide attention as its Manila counterpart, the Jolo Carnival was a small reflection of the colonial government’s efforts to foster a sense of national unity and showcase the country’s progress, even in a region as historically distinct and resistant as the Sulu Archipelago.

The existence of the Jolo Carnival highlights the complex and often tense relationship between the American colonial government and the Moro people of Mindanao and Sulu. Unlike many other parts of the archipelago, Sulu has a long history of resisting foreign powers, including the Spanish and later the Americans.

By organizing a carnival in Jolo, the Americans aimed to project an image of peace and stability in a region still experiencing armed conflicts and political instability. It was a subtle yet effective way of pacification, using cultural festivals to mask and soften the harsh realities of military control. Although the carnival provided a brief moment of celebration for the town, its deeper significance lies in its role as propaganda for the American colonial administration. It served as a symbolic gesture of control and a means to build a unified identity in a land where that idea was still strongly challenged.

The 1926 Jolo Carnival, a local version of the much larger and more famous Manila Carnival, holds a significant place in the history of the American colonial period in the Philippines. While it may not have attracted the same nationwide attention as its Manila counterpart, the Jolo Carnival was a small reflection of the colonial government’s efforts to foster a sense of national unity and showcase the country’s progress, even in a region as historically distinct and resistant as the Sulu Archipelago.

The existence of the Jolo Carnival highlights the complex and often tense relationship between the American colonial government and the Moro people of Mindanao and Sulu. Unlike many other parts of the archipelago, Sulu has a long history of resisting foreign powers, including the Spanish and later the Americans.

By organizing a carnival in Jolo, the Americans aimed to project an image of peace and stability in a region still experiencing armed conflicts and political instability. It was a subtle yet effective way of pacification, using cultural festivals to mask and soften the harsh realities of military control. Although the carnival provided a brief moment of celebration for the town, its deeper significance lies in its role as propaganda for the American colonial administration. It served as a symbolic gesture of control and a means to build a unified identity in a land where that idea was still strongly challenged.

Rizal Day 1918

Rizal Day 1918

sometimes it’s all about the provenance…

sometimes it’s all about the provenance…

A vintage japanese Fountain Pen display case with vintage American Fountain Pens

A vintage japanese Fountain Pen display case with vintage American Fountain Pens

The @holmeandhadfield Pen Deck was perfect for both vintage and modern Japanese pens…. great execution and perfect design…

#fountainpens #vintagepens #japanese #japanespens #platinumizumo #platinumizumourushi #fountainpen #japanesemakie #pilotfountainpen #platinumfountainpen #vintageplatinumfountainpen #urushi #urushipens #urushipen #vintage #goldfish

The @holmeandhadfield Pen Deck was perfect for both vintage and modern Japanese pens…. great execution and perfect design…

#fountainpens #vintagepens #japanese #japanespens #platinumizumo #platinumizumourushi #fountainpen #japanesemakie #pilotfountainpen #platinumfountainpen #vintageplatinumfountainpen #urushi #urushipens #urushipen #vintage #goldfish

Puente de Espana (Bridge of Spain) now known as the Jones Bridge

Tarjeta Postal 1907

Puente de Espana (Bridge of Spain) now known as the Jones Bridge

Tarjeta Postal 1907

Early 20th century Postcard…

... i just love the way she looks.. the “worry”, maybe even the “fear” in her eyes… borne out of the curiosity of trying to figure out what is really happening as the Americans come or are here to “befriend” us…

postmark: 1906

#philippines #philippinehistory #philippinehistory🇵🇭 #philippinepostcard #philippinepostcards #filipina #beautifulfilipina #beautifulfilipinas #philippine_islands #philippines #philippineamericanwar #1906

Early 20th century Postcard…

... i just love the way she looks.. the “worry”, maybe even the “fear” in her eyes… borne out of the curiosity of trying to figure out what is really happening as the Americans come or are here to “befriend” us…

postmark: 1906

#philippines #philippinehistory #philippinehistory🇵🇭 #philippinepostcard #philippinepostcards #filipina #beautifulfilipina #beautifulfilipinas #philippine_islands #philippines #philippineamericanwar #1906

Parker Vacuum Fillers (1932-33)

Parker Vacuum Fillers (1932-33)

PLATINUM Izumo Kaga Maki-e Hama no Matsu

PLATINUM Izumo Kaga Maki-e Hama no Matsu

Kawakubo

Artist: Taka Kosai

Kawakubo

Artist: Taka Kosai

Waterman Serenite Maki-e
Dragon (right 43/60)
Snake (left 46/60)

Artist: Tatsuya Todo

Waterman Serenite Maki-e
Dragon (right 43/60)
Snake (left 46/60)

Artist: Tatsuya Todo

Jade Green finally arrived to join the Duofold Family

Jade Green finally arrived to join the Duofold Family

Parker Centennial Duofold Maki-e “Sidare” (Weeping Cherry Tree)

Nihonbashi Special
Year: 2000
Artist: Tatuya Todo

Parker Centennial Duofold Maki-e “Sidare” (Weeping Cherry Tree)

Nihonbashi Special
Year: 2000
Artist: Tatuya Todo

When a coin is minted, a planchet is struck and sometimes the planchet is struck “twice” resulting in an error coin which third party graders like NGC would call a “double struck” error. These coins usually command a premium.

Found this pen with a double imprint on its nib………..”error nib” or “error pen” or “error nib on a pen”

No premium paid though on this Vacumatic Major emerald green… Pen came from Spain

When a coin is minted, a planchet is struck and sometimes the planchet is struck “twice” resulting in an error coin which third party graders like NGC would call a “double struck” error. These coins usually command a premium.

Found this pen with a double imprint on its nib………..”error nib” or “error pen” or “error nib on a pen”

No premium paid though on this Vacumatic Major emerald green… Pen came from Spain

Vintage Maki-e’s finding there way to this part of the world with vintage inkwell made during occupied Japan period…

Vintage Maki-e’s finding there way to this part of the world with vintage inkwell made during occupied Japan period…

This one just crash landed on us:

Sailor Limited Edition King of Pens (KOP)
Japanese Wolf in the Moonlight
Nihon Ookami to Gekkou Fountain Pen

Artist: Ikki Moroike

Such a beautiful pen…

This one just crash landed on us:

Sailor Limited Edition King of Pens (KOP)
Japanese Wolf in the Moonlight
Nihon Ookami to Gekkou Fountain Pen

Artist: Ikki Moroike

Such a beautiful pen…

“…. the Spaniards introduced a new and complete set of pictorial conventions that required sophistication beyond what the Filipino artisans at the time possessed; and that this was employed mainly to propagate the Catholic Faith..”
- Renato L. Santos

Roots of Identity in ON VIEW and OPEN to the public until June 30 at León Gallery - Eurovilla 1, Legaspi Village, Makati City

The book “Roots of Identity: Essays on Religious Painting During the Colonial Period by Renato L. Santos with Alice Guillermo” are also available at the exhibit!

“…. the Spaniards introduced a new and complete set of pictorial conventions that required sophistication beyond what the Filipino artisans at the time possessed; and that this was employed mainly to propagate the Catholic Faith..”
- Renato L. Santos

Roots of Identity in ON VIEW and OPEN to the public until June 30 at León Gallery - Eurovilla 1, Legaspi Village, Makati City

The book “Roots of Identity: Essays on Religious Painting During the Colonial Period by Renato L. Santos with Alice Guillermo” are also available at the exhibit!

Pls come and visit the Ortigas Library from June 8 to Aug. 10 for a stroll down memory lane…entrance is free

Pls come and visit the Ortigas Library from June 8 to Aug. 10 for a stroll down memory lane…entrance is free

My latest Parker Vintage Duofold Family picture. One more finding its way from Paris, a recent eBay purchase. (please see Parker Big Red with wide gold band solo pic 3rd pic)

Pens from left to right, starting at the top:

FIRST PIC:
1. Parker Big Red single band (1926-28)
2. Parker Big Red with experimental band (prototype) date uncertain
3. Parker Mandarin Yellow double band (1928-29)
4. Parker Mandarin Yellow with experimental band (prototype) date uncertain
5. Parker Lapis Blue-on-blue (1927)
6. Parker Lapis Blue with double bands and experimental gold barrel band over black enamel near base of barrel. (prototype) date uncertain
7. Parker Lapis Blue (1927)
8. Parker Jade Green double bands (1928-29)
9. Parker Pearl Black with triple bands (1928)

SECOND PIC:
1. Parker Black permanite (1920’s)
2. Parker Black Chased Rubber senior (1923)
3. Parker Burgundy and Black pearl with two-tone nib (1931)
4. Parker Deluxe Green and Black pearl with thin-fat-thin bands (1932)
5. Parker Candy Stripe (1940’s)
6. Parker Green and Black single band (?) England
7. Parker Duofold Senior Pearl Marble with Green gumdrop - “reminiscent of an impressionist painting as described in the Shepherd and Zazove book” (prototype)
8. Parker Duofold Senior Light and Dark Pearl England (1940’s)
9. Parker Black Chased Rubber junior (1923)

Getting impossible to complete

My latest Parker Vintage Duofold Family picture. One more finding its way from Paris, a recent eBay purchase. (please see Parker Big Red with wide gold band solo pic 3rd pic)

Pens from left to right, starting at the top:

FIRST PIC:
1. Parker Big Red single band (1926-28)
2. Parker Big Red with experimental band (prototype) date uncertain
3. Parker Mandarin Yellow double band (1928-29)
4. Parker Mandarin Yellow with experimental band (prototype) date uncertain
5. Parker Lapis Blue-on-blue (1927)
6. Parker Lapis Blue with double bands and experimental gold barrel band over black enamel near base of barrel. (prototype) date uncertain
7. Parker Lapis Blue (1927)
8. Parker Jade Green double bands (1928-29)
9. Parker Pearl Black with triple bands (1928)

SECOND PIC:
1. Parker Black permanite (1920’s)
2. Parker Black Chased Rubber senior (1923)
3. Parker Burgundy and Black pearl with two-tone nib (1931)
4. Parker Deluxe Green and Black pearl with thin-fat-thin bands (1932)
5. Parker Candy Stripe (1940’s)
6. Parker Green and Black single band (?) England
7. Parker Duofold Senior Pearl Marble with Green gumdrop - “reminiscent of an impressionist painting as described in the Shepherd and Zazove book” (prototype)
8. Parker Duofold Senior Light and Dark Pearl England (1940’s)
9. Parker Black Chased Rubber junior (1923)

Getting impossible to complete

Pens from left to right:

1. Parker Vacumatic Senior Maxima Golden Pearl (1937) with VACUMATIC Band.

2. Parker Vacumatic Senior Maxima Burgundy Pearl (1937) with VACUMATIC Band

It’s funny how a simple design band, with the inscription “Parker Vacumatic” that was done only for a short period of time (maybe a couple of months in 1937) when Parker started coming out with their new sets of Vacumatic pens such as the Maxima, Senior Maxima and Major, would add so much decimal places on the prices of these pens more than 80 years later.

Pens from left to right:

1. Parker Vacumatic Senior Maxima Golden Pearl (1937) with VACUMATIC Band.

2. Parker Vacumatic Senior Maxima Burgundy Pearl (1937) with VACUMATIC Band

It’s funny how a simple design band, with the inscription “Parker Vacumatic” that was done only for a short period of time (maybe a couple of months in 1937) when Parker started coming out with their new sets of Vacumatic pens such as the Maxima, Senior Maxima and Major, would add so much decimal places on the prices of these pens more than 80 years later.

MLQ on TIME

MLQ on TIME

The Unlikely Trio: Quezon, Osmeña, and Murphy - Shaping the Philippines. Did you know that the path to Philippine independence was paved by an unlikely alliance?

(1) Manuel L. Quezon, the charismatic leader, championed Filipino self-determination.

(2) Sergio Osmeña, his loyal deputy, provided crucial support and political acumen.

(3) Frank Murphy, the American Governor-General, surprisingly played a pivotal role in fostering Filipino autonomy.

While political rivals at times, Quezon and Osmeña ultimately forged a powerful partnership. Their unwavering commitment to independence, despite facing American pressure and internal dissent, proved crucial. Murphy, though an American official, surprisingly embraced Filipino aspirations. He recognized the injustice of colonial rule and actively supported the development of Filipino institutions. This unconventional stance significantly influenced the trajectory of Philippine history.

The combined efforts of these three figures, despite their diverse backgrounds and occasional conflicts, laid the groundwork for the Philippines to become a sovereign nation.

Our latest discovery is an original pic of this unlikely trio, from the Associated Press in 1935..

#philippinehistory #manuelquezon #frankmurphy #sergioosmeña #philippines🇵🇭 #commonwealth #philiipines #history #philippineindependence #mlq #quezon #philippines🇵🇭

The Unlikely Trio: Quezon, Osmeña, and Murphy - Shaping the Philippines. Did you know that the path to Philippine independence was paved by an unlikely alliance?

(1) Manuel L. Quezon, the charismatic leader, championed Filipino self-determination.

(2) Sergio Osmeña, his loyal deputy, provided crucial support and political acumen.

(3) Frank Murphy, the American Governor-General, surprisingly played a pivotal role in fostering Filipino autonomy.

While political rivals at times, Quezon and Osmeña ultimately forged a powerful partnership. Their unwavering commitment to independence, despite facing American pressure and internal dissent, proved crucial. Murphy, though an American official, surprisingly embraced Filipino aspirations. He recognized the injustice of colonial rule and actively supported the development of Filipino institutions. This unconventional stance significantly influenced the trajectory of Philippine history.

The combined efforts of these three figures, despite their diverse backgrounds and occasional conflicts, laid the groundwork for the Philippines to become a sovereign nation.

Our latest discovery is an original pic of this unlikely trio, from the Associated Press in 1935..

#philippinehistory #manuelquezon #frankmurphy #sergioosmeña #philippines🇵🇭 #commonwealth #philiipines #history #philippineindependence #mlq #quezon #philippines🇵🇭

Andres Bonifacio
Postmarked Cavite 1907

#andresbonifacio #cavite #1907 #bonifacioday #philippines #philippineshistory #philippines🇵🇭 #hero #famousfilipino #filipino #history #historymemes #historical #historicalmemes #usa #usahistory #philippineamericanwar1899to1902

Andres Bonifacio
Postmarked Cavite 1907

#andresbonifacio #cavite #1907 #bonifacioday #philippines #philippineshistory #philippines🇵🇭 #hero #famousfilipino #filipino #history #historymemes #historical #historicalmemes #usa #usahistory #philippineamericanwar1899to1902

The 1918 Philippine Census: A Snapshot of a Nation in Transition

Did you know that the 1918 Philippine Census was a pivotal moment in our nation’s history? This comprehensive survey, conducted under American colonial rule, provided a detailed snapshot of the Philippine archipelago.

Why was this census significant?

1. A Measure of Progress: The census highlighted the rapid growth and development of the Philippines, especially in urban areas.

2. Understanding the People: It offered valuable insights into the demographics, literacy rates, and economic conditions of the Filipino people.

3. Basis for Policy-Making: The data collected was used to inform government policies, particularly in areas such as education, healthcare, and infrastructure.

The 1918 census serves as a historical document that reflects the aspirations and challenges of the Filipino people during a time of significant change. By analyzing this data, historians can gain a deeper understanding of our nation’s past and its enduring legacy.

Up for auction is a Philippine Census pin of 1918. Listed as Honeycutt-118 and hardly seen and this is probably the very first pin seen in the wild.

This item is available in the upcoming Bayanihan-Moreton Year-End Auction 2024 on Dec. 1, 2024

Lot No. 186
Title: H-118, Philippine Census 1918
Description: H-118, Philippine Census 1918

More information can be found here. https://bid.moretonauctions.com/lots/view/5-1K4MPJ

Download the MoretonAuctions app for yourself — available from the iTunes App Store http://itunes.apple.com/app/id6462672154

The 1918 Philippine Census: A Snapshot of a Nation in Transition

Did you know that the 1918 Philippine Census was a pivotal moment in our nation’s history? This comprehensive survey, conducted under American colonial rule, provided a detailed snapshot of the Philippine archipelago.

Why was this census significant?

1. A Measure of Progress: The census highlighted the rapid growth and development of the Philippines, especially in urban areas.

2. Understanding the People: It offered valuable insights into the demographics, literacy rates, and economic conditions of the Filipino people.

3. Basis for Policy-Making: The data collected was used to inform government policies, particularly in areas such as education, healthcare, and infrastructure.

The 1918 census serves as a historical document that reflects the aspirations and challenges of the Filipino people during a time of significant change. By analyzing this data, historians can gain a deeper understanding of our nation’s past and its enduring legacy.

Up for auction is a Philippine Census pin of 1918. Listed as Honeycutt-118 and hardly seen and this is probably the very first pin seen in the wild.

This item is available in the upcoming Bayanihan-Moreton Year-End Auction 2024 on Dec. 1, 2024

Lot No. 186
Title: H-118, Philippine Census 1918
Description: H-118, Philippine Census 1918

More information can be found here. https://bid.moretonauctions.com/lots/view/5-1K4MPJ

Download the MoretonAuctions app for yourself — available from the iTunes App Store http://itunes.apple.com/app/id6462672154

A Historic Gathering

The Manila Summit Conference of 1966, while primarily focused on the Vietnam War, had lasting implications for the region. It solidified alliances, promoted regional cooperation, and laid the groundwork for future diplomatic initiatives.
However, the conference also highlighted the divisions and complexities of Cold War politics. Despite the ambitious goals, the summit ultimately failed to bring about a lasting peace in Vietnam.

Nevertheless, the Manila Summit remains a significant chapter in Philippine history, reminding us of our nation’s role in shaping global events.

Up for auction is one of the largest Philippine Medals at 82.5mm and made of copper nickel. This medal will definitely give the TPGs a hard time and would probably come back in a body bag saying “too big and too heavy to slab.” All pun intended.

Listed as Honeycutt-617 and will be available in the upcoming Bayanihan-Moreton Year-End Auction 2024 on Dec. 1, 2024.

Lot No. 221
Title: H-617b Manila Summit Conference 82.5mm in copper nickel 1966

Description: H-617b Manila Summit Conference 82.5mm in copper nickel 1966

More information can be found here. https://bid.moretonauctions.com/lots/view/5-1K4MRH

Download the MoretonAuctions app for yourself — available from the iTunes App Store http://itunes.apple.com/app/id6462672154

A Historic Gathering

The Manila Summit Conference of 1966, while primarily focused on the Vietnam War, had lasting implications for the region. It solidified alliances, promoted regional cooperation, and laid the groundwork for future diplomatic initiatives.
However, the conference also highlighted the divisions and complexities of Cold War politics. Despite the ambitious goals, the summit ultimately failed to bring about a lasting peace in Vietnam.

Nevertheless, the Manila Summit remains a significant chapter in Philippine history, reminding us of our nation’s role in shaping global events.

Up for auction is one of the largest Philippine Medals at 82.5mm and made of copper nickel. This medal will definitely give the TPGs a hard time and would probably come back in a body bag saying “too big and too heavy to slab.” All pun intended.

Listed as Honeycutt-617 and will be available in the upcoming Bayanihan-Moreton Year-End Auction 2024 on Dec. 1, 2024.

Lot No. 221
Title: H-617b Manila Summit Conference 82.5mm in copper nickel 1966

Description: H-617b Manila Summit Conference 82.5mm in copper nickel 1966

More information can be found here. https://bid.moretonauctions.com/lots/view/5-1K4MRH

Download the MoretonAuctions app for yourself — available from the iTunes App Store http://itunes.apple.com/app/id6462672154

Medals that tell the History of the Philippines

The Huk Rebellion 1954

Peace and Order Campaign Medal

By mid 1950s the Huks were knocking at the gates of Manila. The Huks (Hukbalahap- Hukbong Bayan Laban sa Hapon) a Communist armed group organized during the Jap occupation, refused to surrender their arms after the Liberation and now train their sights to overthrow the first Republic in Asia.
The strong arm tactics employed by the military under President Roxas and Quirino only strengtened the resolve of this Communist group especially after the abusive excesses of some PC and Army units against the peasantry across the country particularly Central Luzon.
What the top politburo of the Huks, did not anticipate was the inspired but desperate move of the beleaguered Pres. Quirino to name a former guerilla leader and Zambales governor, Ramon Magsaysay as the Secretary of National Defense.
Magsaysay, with uncharacteristic singlemindedness to break the back of the rebellion acted swiftly, even ruthlessly in removing abusive military personnel while promoting on the spot deserving ones. He aimed to win the heart and minds of the populace while pounding the rebels to submission. It did help that he had the backing of the U.S. particularly the CIA through an American advisor, Edward Lansdale, a CIA operative posing as a US Air Force officer.
In 1954, the government established a medal “Peace and Order” campaign medal for military and civilian personnel who contributed in the maintenance of peace and order during the Huk rebellion.It was intended that each province would award this medal however only one province complied - Nueva Ecija.

Source: https://www.facebook.com/share/p/1EbpnEfRMv/?mibextid=K35XfP
Only 36 medals were awarded to Nueva Ecijans in May 1955. Thus making this medal extremely scare to find.

Medals that tell the History of the Philippines

The Huk Rebellion 1954

Peace and Order Campaign Medal

By mid 1950s the Huks were knocking at the gates of Manila. The Huks (Hukbalahap- Hukbong Bayan Laban sa Hapon) a Communist armed group organized during the Jap occupation, refused to surrender their arms after the Liberation and now train their sights to overthrow the first Republic in Asia.
The strong arm tactics employed by the military under President Roxas and Quirino only strengtened the resolve of this Communist group especially after the abusive excesses of some PC and Army units against the peasantry across the country particularly Central Luzon.
What the top politburo of the Huks, did not anticipate was the inspired but desperate move of the beleaguered Pres. Quirino to name a former guerilla leader and Zambales governor, Ramon Magsaysay as the Secretary of National Defense.
Magsaysay, with uncharacteristic singlemindedness to break the back of the rebellion acted swiftly, even ruthlessly in removing abusive military personnel while promoting on the spot deserving ones. He aimed to win the heart and minds of the populace while pounding the rebels to submission. It did help that he had the backing of the U.S. particularly the CIA through an American advisor, Edward Lansdale, a CIA operative posing as a US Air Force officer.
In 1954, the government established a medal “Peace and Order” campaign medal for military and civilian personnel who contributed in the maintenance of peace and order during the Huk rebellion.It was intended that each province would award this medal however only one province complied - Nueva Ecija.

Source: https://www.facebook.com/share/p/1EbpnEfRMv/?mibextid=K35XfP
Only 36 medals were awarded to Nueva Ecijans in May 1955. Thus making this medal extremely scare to find.

Mariano Limjap: A Quiet Figure in the Philippine Carnival

Did you know that the renowned Filipino revolutionary and businessman, Mariano Limjap, played a significant role in the early years of the Philippine Carnival? While often overshadowed by his contributions to the Katipunan and the Philippine Revolution, Limjap’s involvement in cultural events like the Carnival offers a glimpse into his multifaceted personality and his dedication to Philippine society.

Apparently, it was Don Mariano’s daughter Leonarda who was the first one to be crowned “Queen of the Orient” garnering 39 out of the 69 votes. But she gave up the “Queenship” as she wanted to travel to Japan with a friend. Initially Don Mariano “didn’t want to be talked about” so he did not give his permission. But despite not giving his permission, it was the “beauty, dignity and patriotism” of Leonarda that made her queen.

(source: http://manilacarnivals.blogspot.com/2008/08/8-1908-leonarda-limjap-royal.html?m=1)

By further exploring Limjap’s connection to the Carnival, we can gain a deeper understanding of his character and his impact on Philippine history. His participation in this cultural spectacle highlights his commitment to promoting Filipino culture and identity during the American colonial period.

#MarianoLimjap #PhilippineHistory #PhilippineCarnival #FilipinoHeritage

Mariano Limjap: A Quiet Figure in the Philippine Carnival

Did you know that the renowned Filipino revolutionary and businessman, Mariano Limjap, played a significant role in the early years of the Philippine Carnival? While often overshadowed by his contributions to the Katipunan and the Philippine Revolution, Limjap’s involvement in cultural events like the Carnival offers a glimpse into his multifaceted personality and his dedication to Philippine society.

Apparently, it was Don Mariano’s daughter Leonarda who was the first one to be crowned “Queen of the Orient” garnering 39 out of the 69 votes. But she gave up the “Queenship” as she wanted to travel to Japan with a friend. Initially Don Mariano “didn’t want to be talked about” so he did not give his permission. But despite not giving his permission, it was the “beauty, dignity and patriotism” of Leonarda that made her queen.

(source: http://manilacarnivals.blogspot.com/2008/08/8-1908-leonarda-limjap-royal.html?m=1)

By further exploring Limjap’s connection to the Carnival, we can gain a deeper understanding of his character and his impact on Philippine history. His participation in this cultural spectacle highlights his commitment to promoting Filipino culture and identity during the American colonial period.

#MarianoLimjap #PhilippineHistory #PhilippineCarnival #FilipinoHeritage

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