A NEW CHAPTER IN THE PURSUIT OF COMPLETENESS (A Fountain Pen Collector’s Journey)

sandylichauco
Sep 4
18 min read

Updated: Sep 7

No pen was injured in the taking of this photograph

My aspiration to become a "compleat" collector—aiming to gather and assemble a full set in any collection—was shaped by my experiences across different hobbies. These range from vintage Grand Seiko calibers, where I carefully handled each watch—from the very first Grand Seiko circa 1964 to one of the later 45GS movements in the early 70s—in my hands, to my involvement in Philippine Numismatics, where I diligently tracked down complete sets of various Philippine medals after exploring their history and stories. The excitement has always been in the 'hunt,' the 'journey,' and 'scaling that collecting mountain'—devoting countless hours to exploring auctions from various countries, not to mention adapting certain collecting "habits" to make more rewarding discoveries, and ultimately feeling fulfilled when a collection is completed. This same passion drives me to examine each item meticulously and to collect complete sets of Philippine medals, which I proudly possess. This systematic pursuit has now brought me to my latest passion: the art of collecting fountain pens.

The Allure of the Full Set

My collecting tendencies began with a deep appreciation for the concept of completeness within a specific Japanese watch brand, which has long been revered for its exceptional craftsmanship and precision. My fascination with vintage Grand Seiko ignited this journey into the world of

Grand Seiko watches collected over the years (not complete). And yes, those are all my wrist shots

horology, a brand that symbolizes the pinnacle of Japanese watchmaking excellence. With a clear goal in mind, I embarked on an ambitious quest to acquire 20 distinct movement calibers produced during the iconic eras of the 1960s and 70s. Each caliber represents not just a mechanical marvel but also a piece of history that encapsulates the spirit of its time. Throughout that journey, I managed to gather most of the sought-after calibers, including the remarkable high-beat movements that operate at an impressive frequency of 36,000 beats per hour (bph). These high-beat movements are celebrated for their precision and accuracy, making them a coveted addition to any serious collector's repertoire. However, despite my diligent efforts and the joy of adding numerous pieces to my collection, I have yet to secure a good condition of the elusive 44GS line. This particular line has become my personal "unicorn," a symbol of aspiration and the ultimate prize that I continue to pursue in my watch collecting. In addition to the high-beat movements, my collection also includes various calibers that proudly display the word “Chronometer” on their dials, signifying their exceptional

accuracy and quality. Each of these timepieces tells its own unique story, reflecting the technological advancements and design philosophies of its respective era. Furthermore, I have delved into the world of the 1950s Seiko Marvels, which are characterized by their stunning and

intricate dials, which showcase the artistry and attention to detail for which Seiko is known. These watches not only serve as functional timekeeping devices but also as beautiful pieces of art that capture the essence of mid-century design. This fascination with Japanese art on these

timepieces later influenced my journey with fountain pens, which I will explore in more detail later. As I continued to explore the expansive universe of vintage Grand Seiko, I found myself increasingly captivated by the rich history and the intricate craftsmanship that each piece embodies. The thrill of the chase, the joy of discovery, the rich history, and the satisfaction of curating a collection that reflects my passion for horology drove me forward during that horological journey. Each acquisition, each new caliber, and each beautifully crafted dial added another layer to my understanding and appreciation of this remarkable watch brand, making my collecting endeavors all the more rewarding. As a friend of mine once commented to me, "Your experience in collecting these pieces just increased your knowledge of the brand, and they are all now safely stored in your head."

These same principles and impulses guided my medal-collecting journey in the world of Numismatics. That endeavor became not just a hobby but a passion deeply rooted in history and artistry. I meticulously sought out and completed all four variants of the 1904 St. Louis

Exposition medals that were awarded for the Philippine exhibits, which included the prestigious Grand Prize, as well as the Gold, Silver, and Bronze medals. Each of these medals is not merely a piece of metal; they represent a significant moment in history, showcasing the Philippines' cultural richness and artistic achievements during that controversial era. The 1904 St. Louis Exposition itself was a pivotal event, designed to celebrate the progress and innovation of nations, and the medals awarded were a testament to the Philippines' unique contributions to the global stage. In addition to these medals, I also pursued and successfully acquired the three distinct variants of the medals from the 1895 Filipinas Regional Exposition. These medals are equally significant, as they reflect the artistic and cultural expressions of the Philippines during a time when the country was navigating its own identity amidst the complexities of Spanish colonial rule. These medals symbolized a period when the Philippines

was building confidence and experiencing a kind of awakening, unaware that the events of the following three years would alter its history permanently. Each variant of the 1895 medals offers a glimpse of the brilliance of a local medal engraver who has not received his due credit for his contribution to the arts — Melecio Figueroa, who later became involved in the famous USPI series when the United States assumed colonial responsibilities from Spain. Assembling these medals was not really about amassing objects; it is about preserving the stories and memories associated with them, ensuring the legacy of the people behind them, and making sure future generations understand this part of Philippine culture to be celebrated and remembered with pride.

Throughout my journey in numismatics, I have come to understand the importance of these artifacts beyond their monetary value. They are windows into the past, offering insights into the socio-political climate of their respective eras and the artistic movements that influenced their creation. Each piece I added to my collection enriched my appreciation for the Philippines' diverse history and the myriad of narratives that have shaped its identity over time. The thrill of hunting for these medals, researching their origins, and finally holding them in my hands is an experience that continually fueled my passion for numismatics and deepened my connection to the rich tapestry of Philippine culture. The joy I derived from my collection went beyond just acquiring these items; it was in the Honor of preserving the original vision of the designers.

Just like the Instituidor Benefico Medals, also known as the Carolus Medals, which I completed with the help of a good friend. Holding each medal allowed me to feel what it must have felt like when the medal was being conceived and created. Not to mention the historical significance of the medals themselves, and understanding the context of their creation added profound depth to my collection. It was all about the history; it was all about the medal's backstory. (https://www.nineteenkopongkopong.com/post/the-instituidor-benefico-medals-aka-carolus-medals) However, it was the idea of completeness of this very hard-to-find set that truly captivated me. As I collected these four medals, all originating from a single source, I wasn't merely assembling a collection; I was crafting a narrative that captured a significant chapter of history. With the Carolus Medals, it was evident that the designer, Gil, took immense pride in his work, which is apparent in the final product. By assembling these medals into a complete set, I believe I have honored the engraver's legacy and ensured that these stories are preserved and can be shared repeatedly.

A New Medium, A Familiar Romance

A new medium enters the scene. My exploration with fountain pens began as a way to engage with my writing in a more thoughtful and deliberate manner. As a novice journaller, I've discovered that a fountain pen enables me to express words that feel genuine. The allure of holding a pen and feeling the nib rub on the paper—similar to the excitement of winding the crown of a vintage manual Grand Seiko, or having in one's hand a scarce medal and feeling its texture and feel—provides an invigorating sensation. Experimenting with new inks, watching words flow onto the page, and feeling the nib glide over fountain-pen-friendly paper is both a physical and emotional journey. The flexible nibs of vintage pens, in particular, offer a lot of excitement, imbuing each stroke with unique character. Every pen stroke becomes a piece of art that one can take pride in. It's an exhilarating feeling.

Before I get carried away, let me start from the beginning of my journey and recognize two important friends who welcomed me into this world. On July 17, 2024, I approached Mr. Butch Dalisay, the brilliant Palanca award-winning writer and a prominent figure in the Philippine

fountain pen community, known for his impressive collection of vintage pieces. I asked him the question that would change everything: "Hi Butch, hope you are well… by the way, if you are letting go of any, as in any of your Fountain pens, do let me know….it would be my first." His willingness to answer my "impertinent" question led to many more and was a pivotal moment. He entrusted me with my first two pens: a 1938-39 Parker Golden Pearl Vacumatic Long Major and a 1970s Platinum Silvern with an 18k nib. These pens were my starting point, sparking my passion for these two brands and marking the beginning of my journey. The next chapter began with my good friend Byron, who gifted me a trio of pens that ignited my love for Vintage Parker Duofolds. This set included a yellow marble Parker Duofold, a green marble Parker Duofold Senior Deluxe, and a yellow Mandarin Senior Duofold with two bands, complete with the box and papers. These gifts initiated my quest to collect

Vintage Parker Duofolds. These three pens --the Parker Vacumatic Golden Pearl Long Major, the Platinum Silvern with a white gold 18k nib, and the Parker Vintage Duofolds laid the foundation for my initial focus on which pens to collect among the countless options available. Naturally, the completist in me took over. My only rule was that each pen had to "speak to me." If a pen didn't resonate, it didn't join the family. But somehow, they all did. The joy of being a completist lies in the systematic process of discovery and acquisition. Each pen, a singular masterpiece of engineering and design, represents a piece of a larger puzzle. The final acquisition, or the one that completes the set – whether it’s a series from a specific brand, a limited edition collection, or a particular vintage series – is a moment of triumph. It is the culmination of research, patience, and deep appreciation for the craft. This sense of fulfillment is more than just owning a fountain pen; it is about honoring the designer or the maker's original vision and preserving a complete story. A finished collection is a testament to dedication and a source of quiet pride. It transforms a group of individual pens into a single, coherent narrative, a tangible representation of a passion project realized.

So, when it came to fountain pens, it was natural for this instinct to reawaken. The same systematic joy that fueled my pursuit of vintage Grand Seiko calibers and historic medals now found new expression in fountain pens—objects that bridge the gap between function and art. Each pen became a gateway to a different era, a new chapter in craftsmanship, and a fresh way to enjoy the tactile pleasure of writing. But, unlike my earlier pursuits, collecting fountain pens added a layer of intimacy and self-reflection. The act of writing is, after all, deeply personal, and it was in my discovery of this feeling that I began my journaling as a way to keep in touch with my sanity. Pens are not just objects to display; they are tools of creation, memory, and expression. Testing inks, feeling the balance of a new nib, or journaling after a long day—all of this turned collecting from a purely external activity into a meditative inward journey. In seeking completeness, I realized I was also building a constellation of experiences—each pen marking a moment, a relationship, a revelation, or simply a great excuse to spend time with some newfound friends.

And just over a year into this journey, my collection has grown into something I never imagined possible —a testament to the romance and history I've found in every pen and every set.

Completeness, as a collecting philosophy, is not simply a matter of quantity or acquisition. Instead, it is an intricate dance between curiosity, patience, and discernment. Each collection—be it watches, medals, or now fountain pens—begins with a single item and blossoms into a pursuit of cohesion, context, and narrative. This drive for completeness is not about the monetary worth of each piece or the complete set, but about the stories they collectively tell; the gaps that are slowly, almost poetically, filled over time, and the satisfaction and joy of discovery that come with putting them all together. The process is often as rewarding as the result. Researching each item, chasing leads, combing through catalogs, corresponding with other collectors, and deciphering obscure hallmarks becomes a delightful part of the ritual. There is an almost scholarly thrill in identifying the subtle differences that distinguish one variant from another or in uncovering the provenance behind a particular pen. As my collection expanded, I came to understand that each new piece was not merely an addition, but a chance to further explore history, uncover new designs, and appreciate the community. Now, just over a year later, these are "some" of the pens in my Fountain Pen Collection.

From Solitary Gem to a Silver Pearl Skyline: A Collector's Journey into Parker Vacumatics

The allure of the Parker Vacumatic is undeniable. For many, the journey into this world begins with a single pen—a solitary find that sparks a passion. For me, that catalyst was a Golden Pearl Parker Vacumatic Long Major, as I mentioned earlier, an initial purchase from our sensei, Sir Butch. This single, elegant pen was more than just a writing instrument; it was my entry point into a complex and captivating universe of history, engineering, design, craftsmanship, community, and of course, journalling. What started as a solitary Parker Vacumatic piece has since blossomed into a collection of over 48 Parker Vacumatic pens, each with a unique story to tell. While every pen in my Vacumatic collection is special, one set distinguishes itself as a testament to my blood, sweat, and the excitement of collecting: my Silver Pearl Parker Vacumatic set. My goal was straightforward: to acquire every possible variant of this iconic pen. This quest took me around the world, engaging in numerous auctions and connecting with a vibrant community of fellow enthusiasts who share a singular passion—the thrill of discovering the pen that makes your heart tingle.

The culmination of this journey is an assembly of 19 distinct Silver Pearl pens, a sight that collectors often liken to the dazzling Manhattan skyline. Each pen in this set is a character in its own right, reflecting a rich history and a lineage of previous owners. Together, they represent a complete cross-section of the Silver Pearl Vacumatic lineage:

top row from left to right: (1) Reverse Trim Senior Maxima, (2) Oversize, (3) Senior Maxima with chevron band, (4)Slender Maxima, (5) Senior Maxima with Jewelry band and star clip (an off-catalogue piece), (6) Senior with the thin-fat-thin band, (7) Long Major, (8) Streamlined Standard (made in Mexico with the mark “Marca Registrada” on the barrel), (9) Standard,

bottom row from left to right: (10) Major, (11) Junior (nos), (12) Single Jewel Debutante, (13) Single Jewel Sub Debutante, (14) Double Jewel Sub Debutante, (15) Double Jewel Slender, (16)Vacuum Filler, (17) Mechanical Pencil with Jewelry band, and (18) Thermometer Holder. The 19th variant, the rare Silver pearl with Vacumatic band, is arriving in a week.

(The only variant missing is the Holy Water sprinkler silver pearl, which has become as elusive as “hen’s teeth.”)

Assembling this collection was a challenging yet deeply rewarding task, requiring patience, thorough research, a touch of luck, and some help from some very respected Vacumatic collectors aside from Butch. Each pen serves as a silent narrator of its past, offering an actual connection to the golden era of fountain pens. For a completist, the delight is found not only in possessing these items but also in the pride of uniting them, assembling a scattered family of pens in one place, and contemplating the stories they tell.

A Collector's Passage into Japanese Artistry: My Platinum Izumo Journey

My journey into the realm of Japanese fountain pens began much like my initial experience with Parker Vacumatics, as I previously mentioned, through a first purchase from Sensei Butch: a

Platinum Silvern with an 18k white gold nib. This first pen was more than just a writing tool; it

Platinum-Platinum fountain pen, silver, double-grid engravings, chrome plated trim and platinum alloy nib, cartridge/converter, (1966) found on page 299 "Fountain Pens of Japan"

introduced me to the intricate craftsmanship and artistry of Japanese penmaking. My collection soon expanded to include a Platinum Silvern with a platinum nib, a pen that has become a staple in my "every day carry." My interest in Japanese craftsmanship, which began with my admiration for timepieces featuring exquisite art similar to the Grand Seiko, evolved into a deeper appreciation through Japanese fountain pens, especially the Platinum Izumo series. This journey led me to the enchanting realm of Maki-e, a traditional Japanese lacquer art. This meticulous technique involves delicately sprinkling precious metal powders onto a lacquered surface before it sets, resulting in breathtaking, intricate designs. My interest in this art form ignited a new collecting passion, centered on both modern and vintage Platinum Maki-e pens. The completist and perfectionist within me was stirred, and in just over a year, I embarked on a quest to gather two complete sets of these exquisite pens.

The first significant milestone in my journey as a pen enthusiast was completing the exquisite Platinum Izumo Kaga Maki-e series. This exceptional set features three exquisitely crafted writing instruments, each with its own distinct story and artistry. The first pen, the Hama No

Matsu Hira Maki-e (PIZ-300000) was reportedly designed by the same talented artist who

created the renowned Temple Cloud series, which we will explore later. It represents a seamless fusion of tradition and innovation. The Hira Maki-e technique involves selecting the appropriate gold and silver powders from several types and sprinkling them over the patterned urushi undercoating, resulting in a magnificent depiction of Japanese landscapes featuring pine shores and ocean waves. The second pen, the Hama No Matsu Taka Maki-e (PIZ-500000), is a stunning collaboration among skilled artisans from Izumo, each contributing their expertise to create a pen that embodies exceptional craftsmanship. The Taka Maki-e technique begins with repeatedly applying urushi coating to the ebonite material. The proper powders are chosen from several dozen types of gold and silver powders and sprinkled over the raised sections, resulting in an image that portrays Japanese landscapes with rich depth. Finally, the third pen in the series, the rare Takisansui (Waterfall over Mountain) Taka Maki-e (PIZ-600000), is notable for its breathtaking depiction of a detailed waterfall landscape. The golden design contrasts beautifully against the dark background, showcasing the work of Kaga maki-e artist Sohkou Ooshita, who skillfully

handcrafts the pens over several months. The taka maki-e technique applied to this pen involved using several dozen types of gold and silver powders over urushi, resulting in designs of varying heights. It is worth noting that the Takisansui weighs 34.9g, compared to the other two, which weigh 34.1g for the Taka Maki-e and 33.9g for the Hira Maki-e. A proof that many more elements were embodied in designing the intricate waterfall design of the Takisansui. The selection of artists for this series was a thoughtful process, reflecting a hierarchy of seniority within the craft. Notably, the Takisansui is the only piece with a specific "named artist," while the Hira and Taka pens, being collaborative creations, reportedly do not bear a single creator’s name. Each pen in the Izumo line is a testament to artistic skill and an embodiment of tactile pleasure. The substantial weight and perfect balance, combined with the smooth glide of their superb President’s Nib, make them a joy to hold and write with.

My ongoing obsession with their artistry and functionality has driven me to pursue another very challenging collection: the Platinum Izumo Cloud series, albeit I am still trying to understand

missing the Izumo Ginsen Yaumonuri (arriving next month)

the intricacies of this series, as this new set is a story in itself. The series begins with the Izumo Taisha Yagumonuri, a pen named after the main building of the revered Izumo Taisha shrine, a site of deep cultural and spiritual significance. The collection continues with the Izumo Togi Yakumonuri, showcasing the layered lacquer application process that artfully reveals underlying colors in a striking and sophisticated manner. Next is the Izumo Ginsen Yakumonuri, where delicate Maki-e clouds are outlined with shimmering silver wire, creating a captivating visual interplay. The series culminates with the Byakudan (Sandalwood) pen, featuring a glowing reddish hue that pays homage to the fragrant incense traditionally burned at the shrine. The Byakudan pens are particularly notable for their varying shades of red, from lighter orange tones to deeper, more intense reds. These variations are not merely aesthetic; they reflect the influence of the seasons on the urushi lacquer's drying process, adding depth and character to each pen. This attention to detail ensures that no two pens are exactly alike, making each a unique work of art that tells its own story. Collectively, these pens represent the pinnacle of craftsmanship and a deep appreciation for the cultural heritage that inspires their creation. Completing these two collections felt like climbing a daunting mountain. Yet, thanks to luck, perseverance, and many sleepless nights, I was lucky enough to reach this milestone. My journey also includes an expanding collection of vintage Platinum Maki-e pens. However, their history is somewhat mysterious, these pens—whether modern or vintage—have earned a special place in my heart.

pens from top to bottom: uknown brand, Platinum (?), Platinum maki-e gold trim eye-dropper filler "nettaigyo" tropical fish (1950s) , Platinum maki-e gold-filled "Kayo Shinzan" autumn landscape maki-e band by Rosui (1930-35) found on page 292 "Fountain Pens of Japan", Pilot Tiger, Platinum Hira Maki-e, gold filled trip "umryu" Dragon (1930-35) eye-dropper filler found on page 294 "Fountain Pens of Japan", Platinum (?), Kawakubo Eagle

Completing the Pantheon: My Vintage Parker Senior Duofold Collection

Finally, my journey into the world of vintage Parker Senior Duofolds, which I mentioned earlier, was sparked by the generous gift of a dear friend, Mr. Byron Milstead. If you recall, I discussed earler, Byron had gifted me three iconic pens: a Yellow Marble Duofold, a Green Marble Duofold Deluxe, and the highly sought-after Yellow Mandarin with two bands, complete with original box and papers. These initial gifts once again activated the "completist" within me, launching me on a quest to acquire every variant of this classic line. I was fortunate to secure a Big Red Senior Duofold from a European auction at an excellent price, but this was only the beginning. My true passion lies in uncovering the subtle yet distinct variations within a single model, an instinct that has guided my entire collecting journey. This focused approach enabled me to assemble a collection that highlights the nuances of the brand's production history, including its designs, standard issues, special editions, and even prototypes.

My initial collection of Vintage Parker Senior Duofolds now includes the following variants, each a testament to meticulous research and patient acquisition:

Pens from left to right:

Big Red: I’ve collected the Single Band, Double Band, and the rare Experimental Band versions.
Mandarin Yellow: This set includes the Single Band, Double Band, and Experimental Band variants.
Lapis Blue: I was able to secure the Lapis Blue-on-Blue (single band), the Lapis White-on-Blue (double band), and the Lapis White-on-Blue (experimental band).
Jade Green: My set consists of the Jade Green (single band), Jade Green (double band), and the Jade Green Duofold Special.

Assembling this vibrant vintage pen collection, which resembles an assembly-line Christmas tree, has been incredibly fulfilling, both from a collector's perspective and as a homage to the rich history and craftsmanship of the brand—Parker. This journey took me on a fascinating global adventure, involving participation in various auctions across the USA, Canada and Europe, where each event provided unique chances to acquire pens with their own stories. The excitement of bidding, the anticipation of victory, the thrill of winning, and the joy of unboxing each new addition are experiences I will cherish for years to come. The variety within the vintage Duofold line indicates there is much to uncover, especially with the extensive array of models and variations within this iconic Parker pen. Collecting vintage pens is intriguing because it adds a new dimension to the experience—not only finding the pen you desire but also searching for and discovering the best-conditioned vintage pen among all the pre-owned ones available. Sometimes, finding a truly mint-looking conditioned vintage fountain pen, like the Jade Green Duofold presented above (2nd from left), looks untouched, feels like finding a needle in a haystack, especially when compared to other pens where the condition difference is significant. It is essential to note that the price difference also reflects the condition of the pens.

Each pen functions not only as a writing tool but also as a work of art, reflecting the era in which it was crafted and the distinctive tastes of its original owner. The allure of these vintage pens lies in their visual appeal, practicality, and the sense of nostalgia they bring. As I delved deeper into the history of the Duofold line, I was fascinated by the stories behind each model, the technological advancements over the years, and the dedicated collectors who came before me. Collecting these pens is more than just acquiring objects; it's about connecting with a legacy that surpasses time and borders. The excitement of the search continues to motivate me as I eagerly anticipate uncovering more hidden treasures within the vast world of vintage Duofold fountain pens. And now, I present some of the remaining members of my Parker Vintage Duofold family

My pursuit of completeness, whether it's with Grand Seiko watches, notable sets of Philippine medals, or now both vintage and modern fountain pens, has been a central theme throughout my collecting journey. Yet, the true worth of these efforts isn't in the monetary value of the completed collections. Instead, it resides in the journey itself—in the shared stories, the late-night negotiations, and the friendships formed with fellow enthusiasts who understand the passion behind the chase. As my collection grew, so too did my appreciation for the network of friendships and mentorships that collecting fosters. Guidance from seasoned collectors, the generosity of friends sharing advice, and even prized pens, as well as the camaraderie at pen meets, have all enriched my journey. In some ways, the true set I am completing is not just one of objects, but of shared stories, lessons, and passions passed down and paid forward. It is this community, and the shared pursuit of a common goal, that turns a simple hobby into a rewarding and lasting endeavor, making the completion of a set far more significant than the completed sets themselves.

And the journey continues...............or maybe has just begun..........

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